![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
| All Things GarageBand | |||||||
| LOOPS |
| Home Loops Import Loops Make your own Time & Key Signatures Changing Loops to exotic Scales |
| the GarageDoor exotic scales toolkit | ||
| |
||
| Minor, Major, Gypsy | |||||||
| |
The easiest way to explain this technique is by way of example. Have a look at the following three GarageBand files:
|
||||||
| around the world in seven steps | ||||
|
|
Here you see some of the exotic scales we are discussing. They go by the geographical names like Neapolitan, Oriental, Hungarian, Iwato, Hindu, Arabian, Balinese, Gypsy, Persian, Byzantine and by more technical names like leading wholetone, major Phrygian and Lydian minor. They work by raising and lowering the 2nd, 3d, 4th 6th and 7th note of the scale, but sometimes they also operate on the 5th. Many variations are possible, especially since some scales allow for optional and grace notes.
To show you a large sample of scales to see and hear, the GarageDoor has written an Exotic Scales catalogue in GarageBand format. It doubles as a complete resource for learning and comparing elementary scales. | |||
| |||||
![]() |
| Do, Re Mi, Far East | ||
| |
That has been one of my favourite scales ever since, and it was the beginning of my journey into un-common scales: exotic, jazz and modal scales. Used in Arabian music. In the Balkan, Spain and India. Fused in World music. Scales like Neapolitan, Hungarian Minor, Gypsy, Hindu. The beauty is, you can use them in almost any style: Pop, Reggae, Hip Hop, Rock, Jazz and of course World Music.
|
|
| To the Top | ||||||||
| Home | Tutorials | Setup | Gear | Loops | Instruments | Live Recording | Editing & Mixing | the Music |
| Subscribe to the "DoorPost" newsletter. | © the GarageDoor 2006 | |||||||